Friday, July 03, 2015

Cat Winters' The Uninvited, an atmospheric ghost story set at a terrifying time

Ivy Rowan sees ghosts. The women in her family all have this gift, or curse. Whenever they glimpse a “harbinger spirit,” they know someone close to them will die soon.

The heavy sense of dread that hangs over Cat Winters’ work of gothic suspense, her first novel for adults, derives as much from the historical milieu as from this unnatural ability.

Set in fictional Buchanan, Illinois, population 12,500 (although the infrastructure and sprawling layout appear to resemble a larger city like Peoria rather than the small-town setting where I live), The Uninvited hits to the heart of why the year 1918 was such a terrifying time. The threats are all too human.

Ivy has barely recovered from a nasty bout of flu when she learns her father and younger brother have gone out and killed a German man who co-owned a local furniture store – in a horribly misguided act of revenge, since Ivy’s older brother Billy had recently died while fighting overseas. Feeling intense guilt over the deadly results of their “superpatriotic” sentiments, Ivy leaves her family’s white farm house and trudges past the city limits, with its sign warning visitors about the dreaded influenza.

When she seeks out the victim’s surviving brother, Daniel Schendler, in an effort to somehow make amends, she stumbles into an unexpected mutual attraction. Ivy is also drawn toward the syncopated rhythms emanating from the jazz club that’s sprung up at the Masonic Lodge downtown. Interestingly, the scene there is one of the few places in the city that recognizes people as equals, regardless of color or ethnicity.

The novel is drenched in atmosphere, both the terrible paranoia that caused Americans to turn on so-called enemy aliens during wartime a shameful practice that continues to occur and the heady release found in music. For fans of The Thirteenth Tale and other novels of that ilk, The Uninvited has more than one daring twist. (I felt proud at predicting one of them, but another blindsided me.) And either paradoxically or fittingly, in this story saturated by death, it also evokes the intoxicating joy that comes with being young, vibrant, and free.  I recommend it as a shivery read this summer.

The Uninvited will be published by William Morrow in trade paperback in August (368pp, $14.99). Thanks to the publisher for approving my access via Edelweiss.

Tuesday, June 23, 2015

Hot topics and themes in historical fiction - with recommended titles

This will be a shortish post, as I'll be heading out soon to the Historical Novel Society's 6th North American conference, which is in Denver this coming weekend.  I'll be speaking on a panel, "The Art of Book Cover Design for Historical Fiction," on Saturday afternoon, and have been practicing the presentation in my office today to make sure that it's timed appropriately.  There are five of us speaking, so we have about seven minutes apiece.  I think I'm good to go.

It's actually been a busy summer presentation-wise, since last Tuesday evening I gave an introductory workshop on historical fiction for my university's Academy of Lifelong Learning, which provides continuing education for adults in the local community.  There were 24 people signed up – a larger crowd than expected.  It was great to see so much interest in the topic.  The attendees had some good questions at the end, about trends, anachronisms, subgenres, and so forth.

One of the handouts I gave the audience was a guide to current trends in historical fiction, with a list of titles and descriptions.  Since I promised to make it publicly available, it's linked above as a pdf.  There are plenty of titles I didn't include, since I wanted to keep it to a reasonable length... but if you have favorite titles on trendy topics you'd like to recommend, please leave them in the comments.

For those readers and authors who'll be at the conference, I look forward to seeing you there!

Friday, June 19, 2015

New & upcoming historical novels by authors previously reviewed here

I always look forward to new novels by authors whose earlier books I've read and enjoyed.  For my newest gallery of upcoming titles, here are 10 historical novels set to appear over the next year, with details.



Secrets from a century ago are uncovered when a woman travels to Ireland, to go through the things her late uncle left behind in his lakeside cottage, and finds a manuscript written by a woman named Eliza Drury.  The author's previous novel, Liberty Silk, was a multi-generational novel written with both style and warmth.  Transworld Ireland, July.



After hearing Geraldine Brooks speak with the Washington Post's "totally hip book reviewer" Ron Charles at BEA, I've been eager to read her upcoming novel, focusing on the life of King David.  An ARC appeared in my mail yesterday, and I'll be reading it shortly.  I had reviewed her previous novel Caleb's Crossing for the Globe & Mail and reposted it here shortly thereafter.  Viking, October.



The two wealthy Melville sisters see their lives upended during WWI and try to establish new roots in the new, resulting world.  Clark moves ahead into the trendy early 20th-century timeframe following a visit to colonial Louisiana with Savage Lands and Victorian London with Beautiful Lies.  Houghton Mifflin Harcourt, October.



Marina Fiorato's earlier novels are set in historic Italy, and at first Kit, which opens in 18th-century Dublin, seems not to follow that pattern - but wait and see where Kit Kavanagh's adventures lead her.  Daughter of Siena, which I reviewed a few years ago, centers on the Palio horse race in the 18th century.  Hodder & Stoughton, July.



This is my most anticipated novel of the fall season.  As one would expect from Kate Morton, it's a generational mystery filled with family secrets and suspense, this time surrounding a child's disappearance in Depression-era Cornwall and the repercussions decades later.  For my earlier reviews of Morton's novels, see The Secret Keeper and The Distant Hours. Atria, October.



The market town of Chesterfield in Derbyshire may not be as high-profile as other locales Nickson's written about, like Seattle or Leeds, but I appreciate the chance to spend time in lesser-known places - especially when I've been there in real-life.  Great title for this upcoming sequel to the medieval mystery The Crooked Spire, which I read on my way home from the UK last September.  The Mystery Press, March 2016.



With her new release, Raybourn begins a new Victorian-era mystery series, this time featuring world traveler Veronica Speedwell, another of the adventurous historical heroines she's known for.  I've previously reviewed Night of a Thousand Stars, set in the Middle East in the '20s, and interviewed her about her first Victorian mystery, Silent in the Grave, way back in 2007.  NAL, September.



In the vein of her breakout novel The House at Tyneford, Solomons' latest focuses on family, music, and moving beyond grief and takes place on an English country estate in the '40s and half a century later.  Plume, December.


The grandfather of Layla Roy from Patel's debut, Teatime for the Firefly, is the protagonist of Flame Tree Road, set in 1870s India.  After seeing how his mother is shamefully treated after his father's death, Biren Roy decides to fight for a brighter future for women.  I'll be reviewing this later on in the summer.  MIRA, June.



Three star authors team up for a mystery surrounding a Gilded Age mansion, a woman from an old portrait, and an expensive heirloom.  Williams' The Secret Life of Violet Grant was reviewed here earlier, as was Willig's The Ashford Affair - and a review of Karen White's new book will be forthcoming.  NAL, January 2016.

Tuesday, June 16, 2015

A grand and dangerous adventure: Gill Paul's No Place for a Lady

The front lines of battle may seem to be no place for a lady, but it’s where two estranged sisters find new levels of maturity, see their strength tested to its limits, and develop new understandings of themselves and those they love.

Gill Paul's latest novel takes place during the Crimean War, a conflict in which Britain, France, Sardinia, and Ottoman Turkey united to fight Russia over the latter’s imperial expansions in the mid-19th century. It’s a complex set of circumstances, which may be why it doesn’t feature much in fiction, but she does a good job explaining the historical background.

In London in 1854, Dorothea Gray is distraught when her younger sister Lucy, an outgoing 17-year-old with little experience of the world, marries Charlie Harvington after a short courtship. Although Charlie is a captain with the 8th Hussars – part of the Light Brigade – Dorothea does some checking around and learns his parents have disowned him, calling him a “scoundrel of low morals."  Lucy, however, remains smitten with him.

Dorothea, at 31, is a talented volunteer nurse; bright and sensible, she’s clearly better cut out for a trek to the Crimean Peninsula than the sister she helped raise, their mother having died at Lucy's birth. However, it’s Lucy who heads there, with her new husband, just as war with the Russians is looming.

The narrative switches between the viewpoints of Dorothea, who hopes to join Florence Nightingale’s cadre of nurses in the Turkish lands and watch over Lucy there; and Lucy, who quickly learns that the conditions she’s forced to endure as an officer’s wife are hardly what she expects. Her naiveté is shown via the feather pillows and heirloom silk bedspread she brings along – they’re hopelessly impractical in the tents where she and Charlie set up camp.

Food supplies and warm uniforms are hard to come by during the harsh winter, which lowers morale and weakens the soldiers further. Lucy finds it hard to forgive Dorothea for trying to prevent her wedding but, with disease running rampant, needs her advice more than ever. Maybe it’s my age showing, but while I felt I was intended to see Dorothea as overbearing, as Lucy did, I admired her for being concerned about her sister's future.

This is a grand epic in the best sense: it has enormous sweep and scope but doesn’t neglect the smaller details of life during wartime or of travel through new, unfamiliar lands, from the mosques and minarets of Constantinople at sunset, the “black silhouettes against an orange sky,” to the Barracks Hospital in Scutari, with its terrible stench and primitive conditions.

The famous Miss Nightingale is on the scene, of course, extremely competent as she fearlessly takes charge, but her formidable presence and rigid rules mean she’s more beloved by her patients than her staff.

One minor distracting element involves an episode when Lucy disappears from view for a time.  When her perspective is delayed, to increase the suspense about where she is and whether the sisters will ever reunite, the novel's rhythm feels a bit disrupted. 

Regretfully, there aren’t many novels like this around anymore, and I might be tempted to call it old-fashioned for that reason, but the writing is brisk and fresh, and its enlightened multicultural perspective gives it contemporary resonance. There’s a good dose of romance, plenty of grit and realism, and unpredictable twists and turns – this isn’t the type of novel whose path is telegraphed from the beginning.  Many new characters pass through the sisters’ lives along their journeys, and both are altered by their experiences.

All in all, it’s an exciting story recommended to readers in search of adventure, and who are prepared to travel wherever the novel may lead.

No Place for a Lady will be published on July 2nd in paperback by Avon UK (400pp, £7.99) and is currently available as an ebook (£0.99 or $1.99).  Thanks to the author's publicist for sending me a pdf file as part of the blog tour.

Thursday, June 11, 2015

Growing up royal: Chantal Thomas' The Exchange of Princesses

Best known for Farewell, My Queen (2003), an intimate glimpse of Marie Antoinette’s last days, Thomas has crafted a pointed and witty novel that sheds light on two eighteenth-century princesses trapped by familial obligations and the capricious whims of the court.

On January 9, 1722, two cortèges unload and swap their passengers at Pheasant Island, a neutral point in the Pyrenees region. To ally their quarrelsome countries, 12-year-old Louise Élisabeth of Orléans, one of the many neglected daughters of France’s regent, will marry the Spanish heir, Luis, while Luis’ half-sister, Mariana Victoria, an adorable three-year-old who clings to her dolls, is sent to France to wed the adolescent Louis XV. “Could a more perfect symmetry be imagined?” Thomas ironically observes.

Writing in a formal style, she highlights the absurdity of royal ceremonies and the cruel circumstances that abandon these girls to their fates and deny them anything resembling a real childhood. Excerpts from authentic, little-known letters and documents add to the reading experience. 

Chantal Thomas' The Exchange of Princesses, ably translated into English by John Cullen, will be published by Other Press in July ($16.95, trade pb, 336pp). This review first appeared in Booklist's June issue.

An additional note: I've read many novels about royalty (they're a special interest), so it's rare for me to pick up a work of royal fiction without knowing how it will end, but this particular episode was entirely new. If you haven't heard of it either, avoid Wikipedia before beginning!


Monday, June 08, 2015

An early look at Landfalls by Naomi J. Williams, nautical adventure with a difference

Tracing the movements of France’s ill-fated Lapérouse maritime expedition in the late eighteenth century, Williams’ exceptional debut isn’t your traditional seafaring yarn and is all the stronger and more penetrating for it.

The plot moves confidently between views of the changing landscape—from a crisply evoked Georgian London, where a naval engineer travels to procure supplies, and then on to Tenerife, Chile, Alaska, California, Russia, and the South Seas islands—and its characters’ choices and inner lives.

The emphasis is not on fast-paced drama so much as on interactions among the two ship’s captains (Lapérouse and Langle), their crews, the numerous scientists on board, and the residents and natives at many stopping points.

Williams’ status as an acclaimed short story writer is evident in her craftsmanship of each perfectly encapsulated chapter, each recounted from a different viewpoint or viewpoints. The section set at Monterey in 1786, for instance, demonstrates masterful use of perspective, as one revelation after another about the Spanish mission there comes to light.

Full of period sensibilities, particularly the Enlightenment-era urge to go forth and explore new domains, the novel is alternately charming, invigorating, and heartbreaking, and always thoughtful and humane. Even readers who don’t seek out nautical adventures will find themselves drawn in, especially if they love high-quality literary fiction.

Landfalls will be published in early August by Farrar Straus & Giroux ($26, hardcover, 336pp) and, in the UK, by Little Brown in October.  This starred review first appeared in the April 15th issue of Booklist.

Some additional notes: This book was such a wonderful surprise!  I'm not the natural audience for a lot of historical adventure fiction, as I often find myself wading through jargon that other readers of the subgenre seem to crave, and I've read plenty of round-the-world-exploration novels and wondered if this one would stand out.  It absolutely did, and I'm grateful I got the chance to read it.

Wednesday, June 03, 2015

A few notes on the historical novels at BEA 2015

I returned home from NYC on Saturday night and am still getting caught up.  It was a very busy few days at BEA, a big contrast from my quiet university town during the summer.

Although I was thrown off balance by having to miss opening day (thanks to an allergic reaction to something I'd had the night before), I still managed to collect a decent number of historical ARCs.  However, I took it pretty easy at the show, doing more sitting than networking, since I wasn't quite up to par by Thursday.  Which means I didn't wait on many of the signing lines I intended to. 

Instead, I spent a lot of time attending panels at the Uptown and Downtown stages and had a few meetings with publishers and publicists.  Among the panels, I especially enjoyed "inside the mystery writer's studio" featuring five writers (all men!), including Brad Meltzer, whose new thriller The President's Shadow features an archivist and has a historical aspect to it.  I've added it to my wishlist.

The historical novels I took back with me were a very diverse bunch, time- and setting-wise.  Some are for me, and others will be sent out for review for the Historical Novels Review (I attended BEA as a member of the press, representing HNR).



Sourcebooks is putting a lot of effort into promoting Susan Higginbotham's Hanging Mary, which isn't out until next spring; it's the first US-set novel from an author better known for writing about medieval and Renaissance English history.

Captain in Calico, at the very top, is George MacDonald Fraser's first and previously unpublished novel, a pirate adventure about Captain Jack Rackham in the 18th-century Caribbean.

I started reading Emily Holleman's Cleopatra's Shadows on the plane home and regretfully had to set it aside temporarily since I have two other reviews due next week. It has two viewpoint characters: Arsinoe and Berenice, both siblings to Cleopatra whose stories are comparatively little-known.



I also like what they did with the cover art: like the book itself, it takes a familiar subject and looks at it from a new perspective.  The original painting has graced many covers, including the one below, but with Cleopatra always at the center.  The Holleman cover shifts the view slightly.



And below, the second pile of historical fiction.  Two are speculative literary time-slips dealing with past lives, Susan Barker's The Incarnations and Gwendolyn Womack's The Memory Painter.  Check out the book trailer for the latter; it's fantastic and does exactly what a trailer should do.  It's beautifully filmed, moves quickly, and piqued my interest in the book.



One title that's missing: Geraldine Brooks' The Secret Chord, as I didn't have the stamina to wait in an hour-long signing line.  I did, however, attend the discussion she had with Washington Post book reviewer Ron Charles at one of the BEA stages, and it was great, with insight into how she decided on and researched her upcoming novel of King David.

Look for reviews of many of the above titles later in 2015 or early in 2016.

Which fall books are you looking forward to the most?